Showing posts with label Ronald Reagan. Show all posts
Showing posts with label Ronald Reagan. Show all posts

Saturday, February 14, 2009

Black History Month: Grandmaster Flash


Grandmaster Flash is responsible with taking rap to the next level. At first, rap was a street game of rhyming. With Sugarhill Gang's release of "Rapper's Delight," the second rap song released and the first to hit the charts, rap became a commercial prospect. The next landmark was Kurtis Blow's "The Breaks," the first rap record to go gold. Shortly thereafter, however, commercial rap started to become a parody of itself, with songs like the Afternoon Delights' "General Hospi-tale," a rap song narrating the 1981 season of General Hospital, being the only rap songs to climb the charts. "The Message" changed all that in 1982. It was the first rap song to be politicial. Lyrically, it was in many ways a recasting of Stevie Wonder's "Livin' For the City," but it was the first time lyrics with such considerations were rapped. Also, it was a bit darker. "The Message" ends with a prisoner's suicide.

The forgotten gem of Grandmaster Flash's catalog, however, may be a song he recorded in early 1984 with Melle Mel. "Jesse" was a song championing Jesse Jackson's 1984 presidential bid. Indeed, it may be the only rap song urging listeners to join the Rainbow Coalition. It sounds rather tame and dated by today's standards, both musically and politically, but remains at worst an interesting curio and at best a benchmark, laying the foundation for things like will.i.am's "Yes We Can." The best thing about the song, of course, is that it signifies on Ronald Reagan, perhaps the worst president in American history, by looking at how he underestimated Jesse Jackson's leadership potential before he went to Syria.

Sunday, October 7, 2007

Oztoberfest

Oztoberfest came to Wamego, KS this weekend. The festival featured the return of two of the original munchkins. This is a major decline from last year when a whopping seven munchkins showed up for the event, but it was still a lot of fun.

According to the organizers, Oztoberfest was packed on Saturday, but things were pretty calm on Sunday morning (makes sense in small town Kansas, being so churchy and all). I was able to chat with Karl Slovak, one of the sleepy-head munchkins who also worked with Spencer Tracy, Jimmy Duranty and Laurel and Hardy in his post-Oz phase. Slovak signed my dvd and I was able to purchase a DVD featuring four silent Oz films made by franchise creator Frank L. Baum between 1914 and 1925.

The other item I'd hoped to pick up at Ozfest was a copy of the Pennyroyal Press 1986 edition of the Wonderful Wizard of Oz featuring woodcut prints by Barry Moser. Moser's prints, the focus of a critical article I penned while a graduate student, reimagine Kansas as a depression era-wasteland and Oz as a wicked place ruled by the Reagan administration. The book moves from its populist roots to become a scathing commentary on Reaganomics due to the new illustrations.